{"entities":{"Q9176":{"pageid":9824,"ns":120,"title":"Item:Q9176","lastrevid":194060,"modified":"2026-03-05T10:48:13Z","type":"item","id":"Q9176","labels":{"de":{"language":"de","value":"STA-Regel: Besetzung f\u00fcr musikalischen Inhalt einer repr\u00e4sentativen Expression | RDA-Eigenschaft - Erfassen einer Besetzung f\u00fcr musikalischen Inhalt einer repr\u00e4sentativen Expression"}},"descriptions":{},"aliases":{},"claims":{"P2":[{"mainsnak":{"snaktype":"value","property":"P2","datavalue":{"value":{"entity-type":"item","numeric-id":3095,"id":"Q3095"},"type":"wikibase-entityid"},"datatype":"wikibase-item"},"type":"statement","id":"Q9176$5FC6DD68-2AFC-4F58-992D-752BEEB1D626","rank":"normal"},{"mainsnak":{"snaktype":"value","property":"P2","datavalue":{"value":{"entity-type":"item","numeric-id":3095,"id":"Q3095"},"type":"wikibase-entityid"},"datatype":"wikibase-item"},"type":"statement","id":"Q9176$ACC3E0F9-7E64-463B-B983-365CE6DC9640","rank":"normal"}],"P397":[{"mainsnak":{"snaktype":"value","property":"P397","datavalue":{"value":{"entity-type":"property","numeric-id":662,"id":"P662"},"type":"wikibase-entityid"},"datatype":"wikibase-property"},"type":"statement","id":"Q9176$B199E1A6-20D9-4EEC-9D60-D7420857E409","rank":"normal"}],"P110":[{"mainsnak":{"snaktype":"value","property":"P110","datavalue":{"value":{"entity-type":"item","numeric-id":3113,"id":"Q3113"},"type":"wikibase-entityid"},"datatype":"wikibase-item"},"type":"statement","id":"Q9176$4E3338B8-5AAB-4CDE-82FD-3656A966E1CF","rank":"normal"},{"mainsnak":{"snaktype":"value","property":"P110","datavalue":{"value":{"entity-type":"item","numeric-id":3113,"id":"Q3113"},"type":"wikibase-entityid"},"datatype":"wikibase-item"},"type":"statement","id":"Q9176$CF3E32CA-21E6-4C71-809F-55F30BF6DFAA","rank":"normal"}],"P7":[{"mainsnak":{"snaktype":"value","property":"P7","datavalue":{"value":"La distribution pour laquelle l\u2019\u0153uvre musicale a \u00e9t\u00e9 con\u00e7ue initialement est consid\u00e9r\u00e9e comme la distribution d\u2019ex\u00e9cution d\u2019un contenu musical d\u2019une expression repr\u00e9sentative.","type":"string"},"datatype":"string"},"type":"statement","qualifiers":{"P855":[{"snaktype":"value","property":"P855","hash":"1845fe5a1f6e897d74d538e864da2047492c7059","datavalue":{"value":"fr","type":"string"},"datatype":"string"}]},"qualifiers-order":["P855"],"id":"Q9176$2954C955-DB69-4420-9048-C5F38F4A437F","rank":"normal"},{"mainsnak":{"snaktype":"value","property":"P7","datavalue":{"value":"Selon le mod\u00e8le OEMI, toutes les expressions d\u2019une \u0153uvre sont \u00e9quivalentes, mais certaines caract\u00e9ristiques d\u2019une expression sont utiles, voire m\u00eame n\u00e9cessaires, pour d\u00e9crire clairement une \u0153uvre. Ces caract\u00e9ristiques peuvent \u00eatre enregistr\u00e9es comme \u00e9l\u00e9ments d\u2019une expression repr\u00e9sentative au niveau de l\u2019\u0153uvre. Dans le domaine musical, il s\u2019agit de la distribution et de la tonalit\u00e9 de la composition originale.","type":"string"},"datatype":"string"},"type":"statement","qualifiers":{"P855":[{"snaktype":"value","property":"P855","hash":"1845fe5a1f6e897d74d538e864da2047492c7059","datavalue":{"value":"fr","type":"string"},"datatype":"string"}]},"qualifiers-order":["P855"],"id":"Q9176$41E74C4A-74E2-4968-9800-A79FA43D93BE","rank":"normal"},{"mainsnak":{"snaktype":"value","property":"P7","datavalue":{"value":"Si une distribution originale ne peut pas \u00eatre facilement ni clairement \u00e9tablie, cet \u00e9l\u00e9ment ne s\u2019applique pas. Cela peut, par exemple, \u00eatre le cas lorsqu\u2019il existe plusieurs \u00e9ditions publi\u00e9es d\u2019une \u0153uvre dans un intervalle rapproch\u00e9 pour diff\u00e9rentes distributions et qu\u2019il n\u2019y a aucune information indiquant laquelle est la distribution originale.","type":"string"},"datatype":"string"},"type":"statement","qualifiers":{"P855":[{"snaktype":"value","property":"P855","hash":"1845fe5a1f6e897d74d538e864da2047492c7059","datavalue":{"value":"fr","type":"string"},"datatype":"string"}]},"qualifiers-order":["P855"],"id":"Q9176$D287B322-D667-4A35-8D66-0C1BFEE55F83","rank":"normal"},{"mainsnak":{"snaktype":"value","property":"P7","datavalue":{"value":"Enregistrez la distribution comme elle est aussi enregistr\u00e9e pour la distribution d\u2019ex\u00e9cution d\u2019un contenu musical.","type":"string"},"datatype":"string"},"type":"statement","qualifiers":{"P855":[{"snaktype":"value","property":"P855","hash":"1845fe5a1f6e897d74d538e864da2047492c7059","datavalue":{"value":"fr","type":"string"},"datatype":"string"}]},"qualifiers-order":["P855"],"id":"Q9176$C2C76DA6-971A-4967-B775-C0F1C3C0210D","rank":"normal"},{"mainsnak":{"snaktype":"value","property":"P7","datavalue":{"value":"Exemples","type":"string"},"datatype":"string"},"type":"statement","qualifiers":{"P855":[{"snaktype":"value","property":"P855","hash":"1845fe5a1f6e897d74d538e864da2047492c7059","datavalue":{"value":"fr","type":"string"},"datatype":"string"}]},"qualifiers-order":["P855"],"id":"Q9176$CCD3471A-7D9C-47C6-BED1-2E876609B4DD","rank":"normal"},{"mainsnak":{"snaktype":"value","property":"P7","datavalue":{"value":"

Violon
Orchestre
Nombre total d\u2019instruments/de voix: 1
Nombre total d\u2019ensembles: 1
Distribution repr\u00e9sentative pour le Concerto pour violon op. 61 de Ludwig van Beethoven, car l\u2019\u0153uvre a \u00e9t\u00e9 initialement compos\u00e9e pour cette distribution. Les versions ult\u00e9rieures du concerto pour piano, les r\u00e9ductions pour piano (violon et piano ou deux pianos) ou les autres arrangements d\u2019autres personnes (p. ex. pour violon et ensemble \u00e0 cordes accompagnateur) ne sont pas repr\u00e9sentatifs.

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Piano
Nombre total d\u2019instruments/de voix: 1
Distribution repr\u00e9sentative pour Sonate pour piano n\u00b0 2 de Roger Sessions.

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Instrument \u00e0 clavier
Nombre total d\u2019instruments/de voix: 1
Distribution repr\u00e9sentative pour les Six sonatines opus 3 de Karl Wilhelm Gl\u00f6sch. \u00abpour le clavecin ou piano forte\u00bb est indiqu\u00e9 comme distribution dans la premi\u00e8re \u00e9dition ainsi que dans MGG 2 comme \u00abf\u00fcr Cemb./Kl.\u00bb.

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Pas de distribution repr\u00e9sentative
Il existe deux \u00e9ditions de partition pour \u00abCalypso step\u00bb de Valentin Hude, une pour un quatuor de clarinettes et l\u2019autre pour un quatuor de saxophones. Il n\u2019est pas possible de d\u00e9terminer laquelle est la distribution originale, donc aucune distribution repr\u00e9sentative n\u2019est indiqu\u00e9e.

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Violine
Orchester
Gesamtanzahl Instrumente/Singstimmen: 1
Gesamtanzahl Ensembles: 1
Repr\u00e4sentative Besetzung f\u00fcr Ludwig van Beethovens Violinkonzert Opus 61, weil das Werk urspr\u00fcnglich f\u00fcr diese Besetzung komponiert worden ist. Nicht repr\u00e4sentativ sind die sp\u00e4tere Klavierkonzert-Fassung, die Klavierausz\u00fcge (Violine und Klavier bzw. zwei Klaviere) oder sonstige Arrangements von anderen Personen (z. B. f\u00fcr Violine und begleitendes Streichensemble).

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Klavier
Gesamtanzahl Instrumente/Singstimmen: 1
Repr\u00e4sentative Besetzung f\u00fcr Roger Sessions zweite Klaviersonate.

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Tasteninstrument
Gesamtanzahl Instrumente/Singstimmen: 1
Repr\u00e4sentative Besetzung f\u00fcr die sechs Sonatinen Opus 3 von Karl Wilhelm Gl\u00f6sch. Als Besetzung ist in der Erstausgabe \"pour le clavecin ou piano forte\" angegeben sowie in MGG 2 als \"f\u00fcr Cemb./Kl.\".

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keine repr\u00e4sentative Besetzung
Von Valentin Hudes \"Calypso step\" gibt es zwei Noten-Ausgaben, eine f\u00fcr Klarinetten-, die andere f\u00fcr Saxofonquartett. Es l\u00e4sst sich nicht ermitteln, was die Originalbesetzung ist, daher kann auch keine repr\u00e4sentative Besetzung angegeben werden.

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